Drum Recording Guide
Microphone Selection
Kick Drum
- AKG D112 - Punchy low end
- Shure Beta 52A - Tight and focused
- Audix D6 - Modern, scooped sound
Snare Drum
- Shure SM57 - Industry standard
- Audix i5 - Brighter alternative
- Neumann KM 184 - Overhead option
Toms
- Sennheiser MD 421 - Full-bodied
- AKG C418 - Clip-on option
- Shure SM57 - Budget choice
Overheads
- Neumann U87 - Large diaphragm
- Rode NT5 - Small diaphragm
- AKG C414 - Versatile
Mic Placement
Kick Drum
- Inside: 2-6" from beater head
- Outside: 6-12" from reso head
- Port hole: Align with beater
Snare Drum
- 1-2" above rim, pointing at center
- 45° angle to the head
- Add bottom mic for snap
Overheads
- XY: 1-2' above cymbals
- ORTF: 17cm, 110°
- Spaced pair: 3:1 rule
Room Mics
- 3-10' from kit
- Experiment with height
- Try different polar patterns
Phase Alignment
Check Phase
- Solo kick and snare
- Flip phase on one mic
- Choose fuller sound
Overheads
- Check against snare
- Align in DAW if needed
- Use phase scope
Room Mics
- Check against overheads
- May need delay
- Trust your ears